Monday, 12 October 2009

Emily Breen: What performing for BABC means to me


For me performing at the BABC has been a fabulous, uplifting experience (boob pun not entirely intended). It is a celebration of the beauty of survival and of the female form in all her myriad shapes and sizes. I am touched to have been a part of BABC and so looking forward to the next!

Emily Breen is a columnist for Essex magazine The Edge and senior writer for film site HeyUGuys.co.uk. She is currently working on her second novel, How I Fell, seeking representation for her first and writing poems about boobs. The last time Emily read for BABC was the first time she has read in public since she was 14. She liked it so much she is doing it all again at Dirty Dicks in London on October 21st.

Saturday, 10 October 2009

The day I helped an old lady escape from a nursing home (a very dark humoured true story)


I was 15 and living in a small town for a while. I was rebelling against something, not quite sure what and needed money to get to Brighton's bright lights and party as much as I possibly could.

Nothing else mattered. Babysitting jobs took up too many evenings and there were no other jobs going in this limited town. A fellow rebellious schoolmate, a punk called Susan, got a part-time job in a local nursing home. She said there was a cleaning job going. That'll do me, I thought. Even though I couldn't stand old people, they were alien to me. They stank of moth balls and lavender and had no teeth and moaned all the time. Never mind, I thought. My job won't be 'involved' with them, I'm just going there to clean...

The nursing home was a large old detached converted house with a little drive up to the main entrance with hedges and trees along the front wall. On my first day I was told to go around the back and never to use the front door again. It didn't have a doorbell anyway because it might 'disturb' the residents. On entering through the back door, I found myself having to walk through the residents dining area, where the first thing that hit me was the smell. An overpowering stench of decaying humans and the weak watery boiled food that was being served to them. Then I noticed heavy drawn curtains, all windows were shut. There was a dark damp ominous feel to the room, even though it was a beautiful warm spring day outside. The residents looked pale, like ghosts with expressions showing they'd lost the will to live a long time ago...

Suddenly, a woman, the Matron who owned and ran this 'House of Fun' appeared! She had steel blue eyes and the most piercing stare I have ever seen. She must have been in her late 60's, thin with sharp features and very long silver hair swept up into a bun. She was from a different era and there seemed something...dare I say it ..Nazi about her.

She thrust a dirty old dustpan and brush into my hands and told me to clean the carpets throughout the house. I asked her where the hoover was, she looked at me like I had just shot someone,

"We do NOT have a hoover or any machinery in this house, the noise disturbs the residents!"

After a good 2 hrs on my knees and another 2hrs wiping old furniture with a damp old ripped up tea towel from the 1970s (she didn't believe in cleaning products), my back and my knees were killing me and I felt quite sick from the dust and the stagnant air. This little cash in hand job wasn't going to be as simple as I thought.

As the weeks wore on, I began to despise this woman. I was only 15 and I didn't really know what a sadist was, until now. One day, I was on my knees dustpan and brushing one of the bedrooms. All of the bedrooms had men and women sharing with no privacy. Right in the middle of the room was a woman crying. She was naked from the waist down sat on a commode,

"Help, help!"

I stood up to help her, then the Matron apeared and shouted,

"Leave her THERE! She HAS to learn!"

Three hrs later I could still hear,

"Help, help..." coming from that room. I peeked in and sure enough she was still sat there on the commode....

Alice, the one with severe dementia, would wander around in her nightie whimpering and cuddling a little rag doll close to her face like a scared child. She wandered into the kitchen one time when two fed-up auxillery nurses were propped up against the sink, arms crossed, sharing a fag. One of them said,

"Oh for christ sake Alice, SHUT-UP!"

The other said,

"We need to wash that doll"

They prized her fingers away from the doll and when her grasp slipped she screamed and screamed. They cracked up laughing, threw it on the floor and said,

"Oh have it then, FETCH!"

Now, when I took the mickey out of old people it was harmless. A generational thing. Just as one or two would take the rise out of my clothes, hairstyle, music etc. But this was something else! I did tell people about it but I'm sure they thought I was making it up. Well, I was a bit hormonal at the time and hardly ever at home, living a life of escapism.

Another character in the 'House of Fun' was The Major. He was quick off the draw, funny as hell and a randy old bugger! I would try to avoid dust pan and brushing with my bottom facing any door because he would come creeping in and 'THWACK!'

He would skip off laughing and I would be left with a smarting buttock, as well as what was now turning into the common victorian condition 'housemaids knee'.

My favourite resident was a lady called April. The reason why all the doors and windows were locked shut at all times was because of this minx. She constantly tried to escape and to be quite honest with you, I couldn't blame her. Now and again, day and night, a distant rattling could be heard. Well, that was April trying all the doors and the windows. Sometimes, she would put her coat on over her nightie and tell you she had to go and meet her husband. She would say (whilst pulling at a locked door to no avail)

"I have to meet my husband now. I'm late, he's waiting. Unlock the door please..."

Her husband died 20 yrs before. My loathing for old people was diminishing.
One day, the home was short staffed so we were all roped in to help serve lunch, which was some grey slush with a pink watery liquid running through it. Someone had burnt something in the kitchen, so for once they had to open a window. This was ground floor, front facing. I was told to go back and lock the kitchen window. When I walked in, there was April, trying to climb out but just too old and frail to succeed.

Something clicked inside my head. This suddenly felt like 'The Great Escape' or 'Papillion' or 'One Flew Over the Cuckoo's Nest', when a treasured moment of freedom is better than no freedom at all. I said,

"Do you need to see your husband, April?"

"Yes, please"

So, I lifted her gently out of the window and placed her on the front entrance outside. I was a big strong girl, so it didn't take much physical effort. I heard myself saying,

"Run April.... Run like the wind!"

As she shuffled off slowly down the drive, I saw her doing tiny baby steps in her nightie. I then locked the window and returned to the dining area. I felt exhilarated and I knew for sure (wherever distant land she would visit), she did too.

An hour later, she was found at the corner of the road sat on a wall admiring a garden. The next day, back inside, she quietly whispered to me,

"Thank you..." as she toddled off to go and try all the doors and the windows yet again. I left soon after, well walked out in fact after telling the Matron,

"Stick your dustpan and brush where the sun doesn't shine, you old cow!!"

A while later, I discovered that before I'd worked there, the home had been on a BBC complaints programme. There had been many bad reports about the place. The matron had defiantly carried on running it for a few years until she died there. Finally it closed. About bloody time too!

Strange how that job gave me a lesson in life, where my lifes adventures were just beginning.....

Honour Mission is a Brighton based burlesque performer and will be performing for BABC at The Ocean Rooms in Brighton on October 16th. Honour lives at: http://www.myspace.com/honourmission

Photo by Stan Keetley

Beulah Bell '2 Hearts'


My '2 Hearts' show for BABC was inspired by Kylie Minogue and her amazing X album after her battle with breast cancer. I wanted to show strength and hope to anyone who has been affected by cancer and raise awareness for Macmillan Cancer Support.

Beulah Bell performed for Burlesque Against Breast Cancer at the Book Club Boutique at Dick's Bar in Soho earlier this year. For more info, visit: www.myspace.com/missbeulahbell

Thursday, 8 October 2009

BABC in London

BABC in Brighton


Ruby Demure of The Flirtinis: What performing for BABC means to me


My grandmother was an impressive figure. Strong, confident and not to be messed with. Wales still has a matriarchal culture and my grandmother was very much in charge of the family. Breast Cancer reduced her to a vulnerable and frail shadow of her former self and eventually it took her away from us when she was only in her early 60s and I was just 9.

It has always felt like a shadow hanging over me, always the silent killer that might be lurking in my genes somewhere. I’ve often thought what a cruel disease it is to take away the very things that define our femininity – our hair, our breasts, and our joire de vivre.

Burlesque is a curious and wonderful thing. I am sure it means many things to many people, but to me it has always been a celebration of all that it means to be female. A celebration of the female form in its many shapes and sizes, of our character, confidence, glamour and humour. It somehow seems a beautiful and entirely appropriate way to support the fight against Breast Cancer and I am privileged to be a part of it.

My grandmother fought it to the end, and the amazing work of charities like Macmillan Cancer Support means that she would probably have survived if she had developed the disease today.

The Flirtinis will be performing for Burlesque Against Breast Cancer at the Ocean Rooms in Brighton on October 16th.

Tuesday, 6 October 2009

A Little Midnight Magic Part Two


Well that's not where my weekend ended. Oh no.

Friday I went into Chrissie's studio for another fitting of the new costume for the relaunch of my Red Angel act. The process of creating a costume is a strange one. From the image I created while curled up in front of a film one night, the idea has sprung forth into reality and each week it gets closer to realisation. Quite amazing really.

Chrissie and I have also had to play around with the original idea as a picture you have in your head is not always possible given the laws of physics. Additionally the 1930s dress design I found and an original 1920s pattern with the most beautiful back line that Chrissie found had to be tweaked and combined to create something that suited the needs of the act, and my figure. I am a curvy girl and as much as I have willowy Coco Chanel fantasies, the 20s dropped waistlines make me look like a hippo. The 1930s silver screen style is much better suited to my frame and looks far more elegant on me. It is all about understanding your own shape.

I grew up in a very large family and my mother had 3 sisters. One for each season you might say, and quite interestingly as far as complexions go, they were. If you've never had a season colour analysis of your skin, do one...now...Google it! Some say this is old fashioned but it has never, ever let me down and if you are wondering, I am a Winter.

Each sister is a different season and each dresses with such style. Add to that a myriad of female cousins and I had a perfect base for learning how to dress to suit myself. When other girls my age were reading Dolly or Girlfriend, I have memories of scouring the pages of Vogue in my aunt's living room. I can't say that I dress with Glamour all the time as I love a pair of jeans and hoodie as much as the next girl, but style I can do.

The same day I also had a meeting with a friend about my new showreel. We met some time ago when I first performed for Burlesque Against Breast Cancer and he shot a little film of one of my acts. We met for coffee to discuss the film shortly after and ever since we've met up every now and then to discuss performances.

Affectionately known as Bob by the Burlesque crowd, he always has some excellent insights and ideas on my acts and it's so nice to be able to discuss them in such a focused way. I feel like I must drive BW crazy sometimes as I'm so burlesque obsessed my nearly every thought is related to act ideas, costumes, vintage, other shows and performers, and so on. I also think I can take the credit for introducing Bob to cupcakes (don't tell his sister!), when the cafe at Waterstones was full and I was craving a sugar hit. So I took him down to Angel Food Bakery on Meeting House Lane which went down a treat.

Bea DeVile, who shares my obsession for cupcakes, had introduced me to this cute little shop which is now one of my favourite places in Brighton. She now regularly tortures me by sending me links to anything cupcake related (did you know you can get cupcakes delivered, like pizza!). Something about their daintiness makes them so incredibly desirable to girls who like pretty things.

Anyway, I'm getting distracted again. The new showreel is quite a nice step for me. Naturally I can't help but pick my own performances to pieces, but any decent performer does. Bob filmed the two acts I did at Club Smooch in September which we've combined and will post on the website shortly under Film. An additional 'teaser' (so to speak!) trailer will go up in a few months time when we've filmed all my acts.

A showreel, along with a website and some good recommendations, is a key part of any performers arsenal, particularly to send to promoters who haven't seen or heard of you yet as it can be difficult to tell a teaseur just from their pictures. Well, after my very busy day, I had to nanna nap before my performance that night. Rock and Roll, I know, but this particular event is always on very late and I knew I would be flagging if I didn't get some rest in. There's nothing less attractive than a sluggish dancer!

Die Freche Muse is already a favourite night of mine, I wrote about it in a previous post 'A midsummer night's dream'. Stepping into this secret London location is like stepping back in time, into a time I belong to. It's fairly unusual for me to be the only performer in the dressing room and I found it quite unusual not to be squeezing alongside a few other girls in front of the mirror.

There were more performers later in the evening, but I had great and good intentions of performing early and getting back to the station for the first train of the morning to Brighton (I told you it was a late show). Did these great and good intentions come to pass? Not quite.

I was performing Living Doll without my big satin gift box and I'd had to do a quick bit of choreography that week to fill in some of the time I would usually spend getting out of the box. Thankfully it worked very well and it was actually quite nice not to be squeezed into a confined space at the start of my act!

I bumped into Nick von Fiction who was at the last one and who also did some pictures for the LustReality show, Striplite back when I first started doing burlesque. Nick got a couple of nice pictures which I'll pop up on the website as soon as I have a chance.

After my act, I managed to catch a few other performers and when I wandered over to the Baron to collect my wages, he was very insistent I stay on for the after party.

'No, no, no' I said. 'I must get the first train home.'

'Have another glass of champagne.' he said and dragged me over to the bar for another Bellini. Well, I can't say it was hard to convince me! I rarely get to stick around and enjoy the party at any show and I was in the mood to enjoy the ambiance of this 20s-30s evening, all the way into the not so wee hours of the morning.

Black and white silent expressionist films play on one wall of the room while the guests dance to the sounds of the jazz band, and clusters of party goers lounge on the armchairs amongst the paintings and lamps while a singer croons in German with a voice like Ella Fitzgerald. Another dancer came out, Isis, who freestyle danced to the piano players hot jazz in a tiny, fringed outfit and ended up with nothing but her g-string and the piano players hat to cover her modesty.

At one point, I spoke to a woman who does clowning. Not the horrid red nose and big shoes kind of clowns that freak me out but a small, very flexible, very expressive woman who was also an impressive dancer. She had a little tip to give me about street performance, but that one I'm keeping to myself.

In fact I met so many people I can't remember all their names which is annoying as they were all such fascinating people. Ultimately, I didn't end up getting home till 8:30am the next morning, with a few secrets, a few more gigs lined up and dreams of 1920s bright young things bopping around in my head.

Oh boy, but it was worth it.

Bella de Jac will be performing at the Ocean Rooms in Brighton on October 16th.